The theatrical qualities of the opera, premièred in Montreal in 2016 and subsequently seen in Victoria, are considerable. The spartan sets by Guillaume Lord are visually arresting. The lighting, originally designed for Montreal by Martin Labrecque and revived by Julie Basse, is atmospheric, with some wonderful and discretely used special effects. The stage direction, originally by Serge Denoncourt and revived by Jacques Lemay, is exemplary, propelling the story, especially in the handling of the chorus...